CNN
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What 12 months is it once more? Among the seems to be on the crimson carpet on the 81st Venice Movie Competition might counsel the 12 months was 1924, somewhat than 2024. Since Wednesday, attendees have given elegant nods to previous Hollywood glamour: from time-honored costume silhouettes to vintage-inspired equipment.
Final evening, on the premiere for Pablo Larrian’s “Maria” — a biopic following the tumultuous lifetime of twentieth century soprano Maria Callas — main woman Angelina Jolie appeared to channel her on-screen counterpart. Wearing a nude-toned customized Tamara Ralph robe, Jolie completed off her look with a Thirties-style fake fur shrug, a golden rose-shaped brooch and a deep crimson lipstick. Whereas Jolie’s piece is a useless ringer for the shrugs worn by the likes of Marlene Dietrich, Joan Crawford and Greta Garbo, Tamara Ralph’s fake reimagining brings the antiquated accent into the trendy day.
However Jolie wasn’t the one visitor on the “Maria” screening taking cues from the starlets of yore. Taylor Russell floated throughout the carpet in a pale yellow silk crepon costume with an identical scarf hooked up to the practice. The look, a customized creation from Loewe, had a definite 1930’s really feel due to the artfully draped night scarf and conjured Marilyn Monroe within the 1953 movie “Gents Desire Blondes” — the place Monroe wears a fiery bejeweled robe elevated by an orange chiffon scarf. Coco Chanel, too, in her Spring-Summer time 1930 assortment topped silk crepe clothes with an additional yard of cloth styled gracefully across the neck.
Isabelle Huppert, the competition’s jury president, fast-forwarded a few many years for her “Beetlejuice” premiere look. According to British Vogue, the “pope crimson” opera coat was impressed by Fifties theater goers. Lifted from Balenciaga’s fiftieth couture assortment designed in 2021, Huppert paired the night robe with white elbow gloves and a stack of Cartier bracelets on every wrist.
Chilean actor Mariana di Girolamo equally resurrected a classic silhouette for her Venice Movie Competition look. Her black embellished Chanel cape costume, worn to the screening of “El Jockey” was a masterclass in harnessing style historical past — for the reason that home has been designing dramatic night capes for nearly a century. Di Girolamo’s model was glamorous but understated, with an overview of sparkle created from embroidered beads and sequins.
The lesson is straightforward, and relevant to each style and movie: Generally previous is gold.